Describe how the director constructs point of view through stylistic choices in cinematography and editing.
Describe how the director constructs point of view through stylistic choices in cinematography and editing.
One could argue that Rear Window is about point of view. Write an essay arguing this point, explaining how this film uses the concept of point of view to create the narrative structure. What is point of view and how does it function in the film? Describe how the director constructs point of view through stylistic choices in cinematography and editing. How does point of view structure the plot? Why can one say that this film is “about” point of view? What argument does the film seem to make about point of view and its construction of truth/reality? Please use example of specific scenes, sequences, and shots from the film to support your answer. CAN ONLY USE SCENES, SEQUENCES AND SHOTS FROM REAR WINDOW. No other sources are accepted.
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